ARRI True Blue represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.
Using a 3,000 W lamp allows a 65 % higher light output while maintaining the size and weight of the fixture. Modern studio dimmer systems have the capacity to support 3,000 W, and in contrast to 5,000 W lamps, this power class can be operated within the standard 16 V - 230 V power grid of most countries. This saves costs in cabling and energy, and purchase costs of the fixture itself. Another possible scenario is a switch to HD recording systems, which are still less sensitive than SD cameras. In these situations the 2,000 W lamps can simply be replaced with 3,000 W lamps to provide the illumination headroom required.
A flexible light panel that is lightweight and portable, suited for shooting in small spaces. With the removable PVC cover, it is waterproof and adapted for rainy weathers. Basic kit includes: light mat, AC adapter, X band bracket, Dimmer and V mount battery plate.
The LG-S150M is a daylight studio light with DMX control. High brightness, silent running with passive air cooling, 120° wide light dispersion, unmatched colour fidelity with a TLCI rating of 94+ and Ra95+.
LEDGO offers these lights as a 150W soft light for broadcast and TV and film studio lighting. Compared with traditional LED bulbs, the light can achieve an ultra-soft effect and create uniform lighting output without adding extra diffusers.
Controls up to 10 Skyport-enabled lights remotely from your camera. Supports High-Speed Sync mode up to 1/8000 second and offers access to 20 channels and four groups. Runs on two AA batteries and has a mini-USB port for firmware updates.