Sony FX5 Full-frame Camera

Lighting the Way Forward

Lighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. Bringing an advanced cinema look and refined operability together in a compact body, it gives creators the freedom to realise their vision with greater precision, control, and expressive potential.

 

Cinema-class image quality
5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude

The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.

BIONZ XR2™ with integrated AI processing for enhanced shooting support

The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation, and more. Built-in AI processing enables enhanced subject recognition and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence.

 

Open Gate and other image scan modes

The FX5 offers full-frame Open Gate recording — a first in the Cinema Line FX series. With 5K up to 60 fps (FF 3:2), 4K up to 120 fps (FF crop) and more, it gives you the freedom to adjust framing, speed and workflow to realise even the most ambitious vision.
[1] X-OCN [2] Other codecs [3] FPS [4] Project Frame Rate [5] Fixed

Internal X-OCN compressed RAW video recording

Capture 16-bit scene-linear X-OCN internally  eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.

 

Three Base ISO settings for effective noise control in any environment

Three Base ISO settings – a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 12800 for low light – are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.

15+ stops of latitude for low-noise shadow detail

Wide latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further.

Dual Gain Shooting debuts in the Cinema Line FX camera series

Dual Gain Shooting maximises latitude while reducing noise to enhance shadow details. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility.

 

High-frame-rate capture, including 5K at up to 60 fps

The FX5 records up to 5K at 60 fps and 4K at 120 fps, giving creators the power to capture fast-paced action with impressive detail and clarity. 5K 120p and 4K 240p coming in firmware V2.0, planned to be available in August 2027 or later.

 

Precise, reliable AF and tracking with AI-based subject recognition

With built-in AI processing, the BIONZ XR2 engine accurately recognises human, animal, and bird eyes (Real-time Eye AF). Fast Hybrid AF uses up to 759 points to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field.

 

Built-in de-squeeze for anamorphic shooting

Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.

Deep learning-based illumination estimation

Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate colour reproduction even under lighting conditions that previously tended to cause colour cast.

S-Cinetone™ for a refined cinematic look

S-Cinetone brings Sony cinema colour science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.

Wide-gamut colour for more grading control

With colour gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad colour information for more precise grading and easier colour matching with VENICE 2 in multi-camera shoots.

Three S-Log3 modes for flexible workflows

From cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO to capture imagery with maximum latitude. You can also import up to 16 user LUTs allowing you to easily monitor the intended look in real-time.

 

Built for professional sets
5-axis stabilisation for steadier handheld shooting

A precision stabilisation unit and gyro sensors combine to provide optical 5-axis in-body stabilisation. An enhanced stabilisation unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake. The result is a camera that’s ideal for handheld shooting. Dynamic active Mode adds extra electronic support, and stabilisation data can also be used in post-production.

Lightweight, compact design for agility on set

The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony’s compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and more.

High-quality 96 kHz / 32bit float audio recording

The XLR handle unit supports two XLR/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz / 32bit float audio. With up to 4 channels of top-quality audio recording, it helps you capture cleaner sound without slowing down the shoot.

 

BIG6 (HOME) screen for faster on-set control

Inherited directly from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen displays six essential settings together: frame rate, EI/ISO/Gain, shutter, iris, LUT and white balance. Touch operation, the multi-function dial, and Fixed/Variable frame-rate control help you work quickly and efficiently.

Optional OLED viewfinder DVF-EL1 for easier outdoor monitoring

Add the optional OLED viewfinder for enhanced monitoring in bright locations. It features a 0.58-type OLED panel with approx. 7.07 million dots, DCI-P3 equivalent colour gamut, and 10-bit display for superb colour and detail.

Monitoring support for precise shooting

Exposure and focus tools, including Waveform Monitor, Histogram, False Color, and Focus Map, support faster judgments on set. They help you manage highlights, shadows, skin tones and critical focus with confidence.

Clear Image Zoom for smoother, more intuitive framing

Clear Image Zoom adds a [Smooth Priority] mode that enables seamless zoom from the optical wide end up to 2x digital zoom. [Optical Zoom Priority] is a zoom mode that prioritises image quality. After the optical zoom reaches its telephoto end, Clear Image Zoom takes over.

Dual CFexpress Type A/SD card slots for flexible media workflows

Dual CFexpress Type A slots support relay, simultaneous, and separated recording, and they also accept SDXC (UHS-II/UHS-I) cards. Main and proxy files can be recorded to different slots.

Power that keeps pace with long shoots

A high-capacity 2670 mAh NP-SA100 battery can provide up to 170 minutes of recording time. Optimised power management, faster charging, USB Power Delivery (PD) and battery condition display make day-to-day operation easier.

Uninterrupted 5K/60p recording

An efficient fan cooling system and advanced design help keep the camera cool, even when the LCD monitor is closed. Three fan modes — [Auto], [Minimum], and [OFF in REC] — let you balance cooling and noise to suit your shooting needs.

 

Expandability and workflow
An extensive range of expressive E-mount lenses

Choose from a wide range of Sony E-mount lenses, spanning ultra-wide, telephoto, prime, power zoom and more. Advanced stabilisation and AF support help unlock each lens’s full creative potential.

Flexible monitoring, power and timecode connections

The HDMI Type A output port supports external monitoring, while dual USB Type-C® ports support timecode transfer, data transfer, and power delivery. You can also split shooting information and picture output to match the way you monitor on set.

Wired and wireless LAN connectivity for remote workflows

High-speed wired LAN and 2.4 / 5 / 6 GHz Wi-Fi support smoother remote control, file transfer and connected production workflows. The FX5 is built to slot more easily into modern multi-device shoots.

Monitor & Control for remote operation from mobile devices

Monitor & Control enables wired or wireless monitoring and operation of multiple cameras via a smartphone, tablet, or Mac. Precise exposure tools and simultaneous control of settings support more efficient reduced-crew workflows.

Catalyst Prepare and Catalyst Prepare Plugin

Catalyst Prepare and Catalyst Prepare Plugin use camera metadata for fast shot review and correction. They provide format support, including X-OCN LT/C1/C2, along with key features such as stabilisation, lens breathing compensation, colour/LUT tools, and transcoded export.

 

Models

Body Only

ILME-FX5B

Body + XLR Handle Unit

ILME-FX5

General

Camera Type

Interchangeable lens digital camera

Lens Mount

E-mount

Camera Section

Latitude

15+ stops (S-Log3)

Sensor Type

35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor

Number of Pixels (Total)

Approx. 18.2 megapixels

Number of Pixels (Effective)

Approx. 16.6 megapixels max.

Optical Low Pass Filter

Yes

Color Temperature Range

2000 K – 15000 K

Image Sensor

Anti-Dust System

Yes

Recording (movie)

Video Compression

X-OCN, XAVC HS: MPEG-H HEVC/H.265, XAVC S: MPEG-4 AVC/H.264

Audio Recording Format

LPCM 4ch (48 kHz 24 bit), PCM 4ch (48 kHz 32 bit float), LPCM 4ch (96 kHz 24 bit), PCM 4ch (96 kHz 32 bit float)

 

Movie Functions

Slow & Quick Motion (Shooting Frame Rate)

Yes

Proxy Recording

Yes

TC/UB

Yes

RAW Output

Yes (HDMI)

Recording System

Memory Card Slot

SLOT A: Multi slot for SDXC (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT B: Multi slot for SDXC (UHS-I/II compliant) memory card / CFexpress 2 Type A card

Focus System

Focus Type

Fast Hybrid AF (phase-detection AF / contrast-detection AF)

Focus Point

Max. 759 points (phase-detection AF)

Recognition Target (Movies)

Human, Animal, Bird

Other Features

AF Subj. Shift Sensitivity (Movie),AF Transition Speed (Movie),Focus Map (Movie),AF Assist (Movie)

Exposure Control

ISO Sensitivity

ISO 320 – 409600 equivalent, AUTO (ISO 320 – 409600, selectable upper limit)

LCD Screen

 

Monitor Type

8.8 cm (3.5-type) type TFT

 Touch Panel

Yes

Number of Dots

2 764 800 dots

Adjustable Angle

Opening Angles (approx.): Up 98 °, down 40 °, side 180 °, rotation 270 °

Other Features

Clear Image Zoom (Movies)

Approx. 1.5x (4K), Approx. 2x (HD)

Shutter

Shutter Speed

Movies: 64 F to 1/8000 s

Image Stabilization

Type

Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)

Mode

Movie: Dynamic active / Active / Standard / Off

Accessibility

Functions

Screen Reader,Focus Magnifier,Focus Map (Movie),Peaking Display,Subject Recognition in AF,Touch Focus,Touch Tracking,Multi-angle LCD screen,Custom function,Enlarge Screen

Interface

PC Interface

Mass-storage

Multi/Micro USB Terminal

–

USB Type-C Terminal

Yes (PORT1: SuperSpeed USB 10 Gbps (USB 3.2) compatible, PORT2: Hi-Speed USB 480 Mbps (USB 2.0) compatible)

XLR Input

–

Yes (3-pin (female) x2)

Wireles LAN (Built-in)

Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac/ax (2.4 GHz band/5 GHz band/6 GHz band))14

Bluetooth

Yes (Bluetooth Standard Ver. 5.3 (2.4 GHz band))

HDMI Output

HDMI connector (Type-A)

Multi Interface Shoe

Yes (with Digital Audio Interface)

Mic Terminal

Yes (3.5 mm Stereo minijack)

Headphone Terminal

Yes (3.5 mm Stereo minijack)

Remote Control (Wireless)

Yes (Bluetooth remote control)

LAN Terminal

Yes (2.5GBASE-T, 1000BASE-T, 100BASE-TX)

Functions

FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi)

Networking Streaming

Video Data Format

MPEG-4 AVC/H.264, MPEG-H HEVC/H.265 [[F_DX0071]]

Video Resolution

3840 x 2160, 1920 x 1080, 1280 x 720

Audio Data Format

AAC-LC 2ch (16bit 48 kHz)

Protocol

RTMP, RTMPS, SRT

Audio

Microphone

Built-in, stereo

Speaker

Built-in, monaural

Lens Compensation

Setting

Shading, Chromatic Aberration, Distortion, Breathing (Movie)

Power

Supplied Battery

One rechargeable battery pack NP-SA100

Battery Life (Movie, Actual Recording)

Approx. 105 min (LCD monitor) (CIPA standard)

Battery Life (Movie, Continuous Recording)

Approx. 170 min (LCD monitor) (CIPA standard)

Internal Battery Charge

Yes (Available with USB Type-C terminal. USB Power Delivery compatible)[[F_DX0087]]

USB Power Supply

Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

Power Consumption with LCD Screen

Approx. 7.4 W (with FE 28-70mm F3.5-5.6 OSS II lens attached)

Size & Weight

 

Weight (With Battery and Memory Card Included)

Approx. 734 g / Approx. 1 lb 9.9 oz

Body Only

Approx. 643 g /Approx. 1 lb 6.7 oz

Dimensions (WxHxD)

Approx. 132.2 x 79.0 x 87.0 mm (from grip to monitor) / Approx. 5 1/4 x 3 1/8 x 3 1/2 inches (from grip to monitor)

Operating Temperature

Operating Temperature

0 – 40 ℃ / 32 – 104 °F

Storage Temperature

-20 to 55 ℃ / -4 to 131 °F

Supplied Access

What’s in the Box

Rechargeable Battery NP-SA100, Battery Charger BC-SAD1, Body cap, Accessory shoe cap, VF terminal protect cap

 

Rechargeable Battery NP-SA100, Battery Charger BC-SAD1, Body cap, Accessory shoe cap, VF terminal protect cap, XLR handle unit, Handle shoe cap, Accessory shoe kit.