Sony FX3 Full-frame Camera

Sony FX3 Full-frame Camera

In service of cinematic expression
Full-frame image capture even in dim light

The FX3’s full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.

Wide dynamic range, wider creative expression

The FX3 offers an exceptional 15+ stops of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.

Stunning bokeh and full-frame creativity

Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

Designed for comfortable solo shooting
Dependable, highly accurate autofocus

The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame.  The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD).

Sophisticated tracking AF for steady focus

Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony’s unique AI-based subject recognition algorithms.

Smooth transitions and touch focus control

The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.

 

High-mobility performance wherever you go

With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

Attachable XLR handle

A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.

In-camera image stabilisation 

Active Mode is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.

Illustration of the image stabilisation unit in the camera body with five axes shown in red

[1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis)

Metadata to facilitate editing with Catalyst

Sony’s Catalyst Browse and Prepare software are ideal production partners for the FX3. The camera records multiple types of metadata: LUTs, image stabilization, focus breathing, camera rotation, ND filter settings configured on the camera, and Shot Marks. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or purchased Catalyst Prepare software.

 

Expandability and operability for content creators
Frequently used parameters all in one place

The FX3 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.

Front and rear tally lamps

Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.

Vari-angle LCD touch-panel monitor

The 3.0-type (1.44 million-dot) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.

 

Essential controls for efficient solo shooting

In addition to six customizable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.

Uninterrupted 4K/60p recording

For uninterrupted 4K/60p recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.

XLR adaptor and digital input for quality audio

In addition to the camera’s convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. 

Dual high-speed media slots 

Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera’s slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.

 

General

CAMERA TYPE

Interchangeable lens digital camera

LENS MOUNT

E-mount

Size & Weight

WEIGHT (MAIN UNIT ONLY) (approx.)

715 g (1 lb 9.3 oz) (with battery and memory card included), 630 g (1 lb 6.3 oz) (body only)

WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.)

1.015 kg　(2 lb 3.8 oz) (with XLR Handle, battery pack, SD card)

DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)

129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)

Power

POWER CONSUMPTION

[Movie] Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), [Still image] Approx. 3.5W (with FE 28-70mm F3.5-5.6 OSS lens attached)

BATTERY OPERATING TIME

Approx. 95 min (Actual recording, CIPA standard) 11, Approx. 135 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard)

Operation

OPERATING TEMPERATURE

0°C to 40°C, 32°F to 104°F

STORAGE TEMPERATURE

-20°C to +55°C, -4°F to +131°F

Recording Format (Video)

XAVC HS

[XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265

XAVC S

[XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,

XAVC S-I

[XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,

XAVC S-I DCI

[XAVC S-I DCI 4K] XAVC S-I DCI 4K 59.94p 600 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 50p 500 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 29.97p 300 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 25p 250 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 23.98p/24.00p 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264

Recording Format (Audio)

RECORDING FORMAT (AUDIO)

LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch

 

Recording Frame Rate

XAVC HS

[XAVC HS 4K] 3840×2160/119.88p, 100p, 59.94p, 50p, 23.98p

XAVC S

[XAVC S 4K] 3840×2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S HD] 1920×1080/59.94p, 50p, 29.97p, 25p, 23.98p

XAVC S-I

[XAVC S-I 4K] 3840×2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920×1080/59.94p, 50p, 29.97p, 25p, 23.98p

XAVC S-I DCI

[XAVC S-I DCI 4K] 4096×2160/59.94p, 50p, 29.97p, 25p, 23.98p, 24.00p

Slow & Quick Motion

XAVC HS

XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps

XAVC S

XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

XAVC S-I

XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps,　50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps12, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps12

XAVC S-I DCI

XAVC S-I DCI 4K: 24.00p: 1fps, 2fps, 3fps, 6fps, 12fps, 24fps, 48fps, [NTSC mode] 59.94p/29.97p/23.98p: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, [PAL mode] 50p/25p: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps

Recording/Playback Time

XAVC HS

[XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes

XAVC S

[XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes

XAVC S-I

[XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes

XAVC S-I DCI

[XAVC S-I DCI 4K] 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes

PROXY AUDIO

XAVC Proxy: AAC-LC, 128kbps, 2 channels

PROXY VIDEO

[XAVC HS HD] MPEG-H HEVC/H.265 1920 x 1080 4:2:0 10bit 16Mbps, 1920 x 1080 4:2:0 10bit 9Mbps, [XAVC S HD]MPEG-4 AVC/H.264 1280 x 720 4:2:0 8bit 6Mbps

RAW Output

RAW Output

HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit

 

Other Video Function

VIDEO FUNCTIONS

Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector

 

Camera Section

SENSOR TYPE

35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor

PIXELS

Approx. 10.3 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)

SENSITIVITY

[Movie] ISO 80-102400 equivalent (Expandable to ISO 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (Expandable to ISO 40- 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit)

SHUTTER SPEED

Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 sec, Bulb

White Balance

WHITE-BALANCE MODES

Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

 

Gamma

GAMMA CURVE

Off / PP1-PP6, PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset / PPLUT1-4, Parameters: Basic Look

 

Latitude

Latitude

15+ stop (S-Log3)

 

Focus System

Type

Fast Hybrid AF (phase-detection AF / contrast-detection AF)

FOCUS POINT

[Movie] 627 points, [Still image] 35mm full frame: 759 points (phase-detection AF)

SENSITIVITY RANGE

EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

FOCUS MODE

[Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

FOCUS AREA

[Movie] Wide / Zone / Center Fix / Spot / Expanded Spot [Still image] Wide / Zone / Center Fix / Spot / Expanded Spot / Tracking

OTHER FOCUS FEATURES

Eye AF ([Movie] Human (Right/Left Eye Select, [Still image] Human (Right/Left Eye Select) / Animal), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still] AF Track Sens., Face detection (Face Priority in AF), Face Priority in Multi Metering, Regist. Faces Priority, Focus Magnifier (35mm full frame: 2.1x / 4.1x APS-C: 1.5x / 3.0x)

Exposure Control

METERING SENSITIVITY

EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

EXPOSURE MODES

[Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)

Recording (Still Image)

RECORDING FORMAT

JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)

IMAGE SIZE

Image size [3:2] 35mm full frame L:12M, M:5.1M, S:3.0M, APS-C L:5.1M, M:3.0M, S:1.3M, Image size [4:3] 35mm full frame L:11M, M:4.6M, S:2.7M, APS-C L:4.6M, M:2.7M, S:1.1M Image size, [16:9] 35mm full frame L:10M, M:4.3M, S:2.6M, APS-C L:4.3M, M:2.6M, S:1.1M, Image size [1:1] 35mm full frame L:8M, M:3.4M, S:2.0M, APS-C L:3.4M, M:2.0M, S:0.8M

Playback

PLAYBACK FUNCTIONS

Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)

 

Interface

TC INPUT/TC OUTPUT

Multi/Micro USB, TC IN13

AUDIO INPUT

3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)

USB

USB Type-C

HEADPHONE OUTPUT

Yes (3.5 mm Stereo minijack)

SPEAKER OUTPUT

Built-in, monaural

HDMI OUTPUT

HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit

MULTI INTERFACE SHOE

With Digital Audio Interface

Bluetooth

Bluetooth Standard Ver. 5.0 (2.4GHz band))

 

Media

MEDIA TYPE

CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

 

Monitoring

LCD

7.5cm (3.0-type) type, approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

 

Built-in Microphone

BUILT-IN MICROPHONE

Built-in, stereo

 

File System

FILE SYSTEM

FAT12, 16, 32, exFAT

 

Zoom

ZOOM FUNCTION

Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x ), Digital zoom ([Movie] 35mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M:approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M:approx. 1.3x, S: approx. 2x)

 

Still Image Function

SHUTTER

Mechanical shutter / Electronic shutter

DRIVE MODES

Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

CONTINUOUS SHOOTING SPEED

Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

NOISE REDUCTION

Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal / Low / Off

FLASH CONTROL

Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 sec.

OTHER STILL IMAGE FUNCTION

Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot

Image Stabilization

Type

Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

MODE

[Movie] Active / Standard / Off, [Still image] On / Off

COMPENSATION EFFECT (STILL IMAGES)

5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

 

 

Custom Function

CUSTOM FUNCTION

Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

 

Lens Compensation

LENS COMPENSATION

Shading, Chromatic Aberration, Distortion, Breathing (Movie)

 

Wi-Fi/NFC

SUPPORTED FORMAT

IEEE 802.11a/b/g/n/ac

FREQUENCY BAND

2.4GHz band/5GHz band

SECURITY

WEP/WPA-PSK/WPA2-PSK

NFC

ー

 

FTP Transfer

FTP Transfer

Wired LAN (USB-LAN), USB Tethering, Wi-Fi

 

Supplied Accessories

SUPPLIED ACCESSORIES

Rechargeable Battery NP-FZ100; Battery Charger BC-ZD117; XLR handle unit; Accessory shoe kit; Body cap; Accessory shoe cap; Handle shoe cap

 

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